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Lamination fixes the issue by physcially adhering the glass to the display, so the only gap is the thickness of the glass itself. There was a very obvious gap, which I mostly compensated for by paying attention to the cursor rather than the pen. One of the most common complaints about the 221 was regarding parallax, or the distance between pen tip and onscreen cursor.
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This gets reflected in the asking price, but even at $900, the 24 Pro is less than half of what you’d pay for a comprable Wacom. It’s real glass too, which will keep its texture longer than the textured plastic layer that many other budget tablets utilize. This gives the surface a matte appearance, helping reduce glare and – most importantly- creating an enjoyable surface to draw on. Just like the Kamvas GT-221 Pro, the glass is lightly etched.
Huion gt 190 clip studio pro professional#
Also, I am a layman lacking professional color testing or calibrating equipment. It should be noted that I haven’t done any professional printing of projects from this tablet yet, so all of my comparisons have been between various devices. The display is an IPS panel, offering super wide viewing angles so colors remain accurate no matter how the screen is tilted. The color accuracy and display range on my Huion is now (theoretically) superior to that of my regular desktop monitor, so I don’t need to do as much window shuffling. I’m super fuzzy on the differences between color gamuts, but the 221 used a 72% NTSC colorspace, while the Pro 24 has switched to 120% sRGB. Everything skewed green and slightly desaturated no matter how I tried to adjust the settings, so I’d often have to drag my finished artwork over to my other monitor and adjust colors in post. I was never able to get very accurate colors out of the 221. The Pro 24 has QHD 2560 x 1440p resolution, which works better for working up close. Also, the nature of a drawing tablet is that you’re working with it much closer than you would an ordinary monitor, so those pixels really made themselves visible.
Huion gt 190 clip studio pro windows#
The 221 only offered 1080p, which made swapping windows back and forth to my QHD monitor a little obnoxious. But the real size improvement is with the resolution. Physically, this thing FEELS big, and 2 more diagonal inches is nothing to sneeze at. I’ve always liked the minimalist look of the 221, so I’m not sad that they didn’t feel the need to make any drastic changes there. Out of the box, the Pro 24 looks exactly like a scaled-up version of the 221. Still, everything inside was fine despite the obvious knocking around it received in transit. Opening the box, the packaging felt very similar to my old Kamvas GT-221 Pro, although this time there weren’t panels of masonite helping protect the tablet. Initial Impressions GT-221 Box and Pro 24 Box side by side
Huion gt 190 clip studio pro upgrade#
Last month I decided to upgrade my Huion to the new 2020 Kamvas Pro 24, which is what I’ll be reviewing today. Since then I’ve added a Huion GT-221 Pro and Microsoft Surface Pro 6 to my drawing arsenal. I’m sure it’s true for the individual artists who say that drawing on a tablet display isn’t any different than drawing on a cheap digitizer, but it was night and day for me and I’m willing to bet that’s true for others as well. Everything changed for me in 2016 when I bought a Wacom Mobile Studio Pro.
Although I’d owned a Wacom Bamboo and Intuos Pro 4 previously, I was never able to truly overcome the disconnect between looking at a screen while drawing on my lap.
I started seriously getting into digital art and tablet displays a few years ago while in college.